The Handmaid's Tale by Margaret Atwood
My rating: 5 of 5 stars
Wow. Just a staggering work of fiction. Margaret Atwood provides probably the second most harrowing and compelling picture of a dystopian future of all time. The first, of course, is Cormac McCarthy. But nobody is beating The Road. Nobody. What makes this story so unique is the feminist outlook, which shows just how terrible men are to womankind. The best science fiction talks about current issues, and this book, written in the 80s, seems more relevant than ever, what with the fight with Planned Parenthood and a woman's right to choose. The Handmaid's Tale is a futurists outlook on how things were back then, and it resonates loudly since so little has really changed. It's just a phenomenal story. I recommend reading Tess of the D'Urbervilles as a companion piece for a whole other look of female oppression. I'm sure you've already read it since I'm apparently the very last person on Earth who has, but if you haven't, do. Prepare to be amazed and sickened.
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Sci-Fi writer, Short story scriber, journalist, bear wrestler. All rolled up into one sexy beast.
Sunday, August 14, 2016
Monday, August 8, 2016
Review: Harry Potter and the Cursed Child
Harry Potter and the Cursed Child - Parts One and Two by J.K. Rowling
My rating: 1 of 5 stars
Harry Potter and the Cursed Child should be called, Harry Potter and the Search for More Money. This is such a crummy cash-grab that I'm really surprised that J.K. Rowling would read the script and then say, "Yeah. That's cool. Let's make this canon." It's just so poorly written that I can't stand it. It's certainly the worst play I've ever read before in my entire life.
The characters are an annoyance rather than full of life like in the novels, and there is virtually no magic in this play whatsoever, whereas the books were nothing but magic. I don't even think seeing this performed would make it any better what with all of these corny lines, and its stupid plot. Harry Potter's son, Albus, and Draco Malfoy's son, Scorpius, go on an adventure together. But what really annoys me is that it centers on my favorite book in the series, and just makes a mockery of it with this story being so crummy. I cringed throughout most of the script and couldn't believe that it was so bad.
Also, and this is SUPER annoying, but one thing that I loved about all the Harry Potter books is that even though they had these really strange subheaders (i.e. Harry Potter and the Half-Blood Prince), you always found out later in the story why it was given that strange title. But even after finishing this book, I couldn't tell you who the "Cursed child" is in question. Why is that? I understand the idea of, "Hey, let's let the reader decide for themselves." But if a function of all the titles for The Harry Potter books was to reveal what this has to do with the wizarding world of Harry Potter, then why stray from that tradition? Honestly, this play makes me question why I fell in love with Harry Potter in the first place. A waste of time, paper, and the actors who fill out these roles. Don't read it.
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My rating: 1 of 5 stars
Harry Potter and the Cursed Child should be called, Harry Potter and the Search for More Money. This is such a crummy cash-grab that I'm really surprised that J.K. Rowling would read the script and then say, "Yeah. That's cool. Let's make this canon." It's just so poorly written that I can't stand it. It's certainly the worst play I've ever read before in my entire life.
The characters are an annoyance rather than full of life like in the novels, and there is virtually no magic in this play whatsoever, whereas the books were nothing but magic. I don't even think seeing this performed would make it any better what with all of these corny lines, and its stupid plot. Harry Potter's son, Albus, and Draco Malfoy's son, Scorpius, go on an adventure together. But what really annoys me is that it centers on my favorite book in the series, and just makes a mockery of it with this story being so crummy. I cringed throughout most of the script and couldn't believe that it was so bad.
Also, and this is SUPER annoying, but one thing that I loved about all the Harry Potter books is that even though they had these really strange subheaders (i.e. Harry Potter and the Half-Blood Prince), you always found out later in the story why it was given that strange title. But even after finishing this book, I couldn't tell you who the "Cursed child" is in question. Why is that? I understand the idea of, "Hey, let's let the reader decide for themselves." But if a function of all the titles for The Harry Potter books was to reveal what this has to do with the wizarding world of Harry Potter, then why stray from that tradition? Honestly, this play makes me question why I fell in love with Harry Potter in the first place. A waste of time, paper, and the actors who fill out these roles. Don't read it.
View all my reviews
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